Sony BMG and Grokster to Use Fingerprint Filtering in New Service November 4, 2004 By Bill Rosenblatt
Reports have been appearing over the past week -- without any official
announcements thus far -- of an alliance between Sony BMG Music, the
file-sharing network provider Grokster, and Snocap, the highly secretive
business founded by original Napster developer Shawn Fanning that has reputedly
been developing fingerprint filtering technology for online content
distribution.
The service, provisionally called Mashboxxx, has yet to launch. But
reports suggest that under the deal, Sony BMG will use the Grokster network to
make new music tracks that it wants to promote freely available, and use the
Snocap technology to sell other tracks. Fingerprint filtering is a
technology that examines a content file and determines the identity of the
content by looking up a mathematical "fingerprint" in a database. A
network can either forbid the use of a file with an identified fingerprint, or
allow it under specified conditions. Roughly half a dozen vendors of
fingerprinting technology exist besides Snocap.
This news, together with the secrecy surrounding both the announcement and
some of the players in it, underscores the highly controversial nature of
fingerprint filtering technology both as an alternative to encryption-based DRM
and as a way to bring P2P file-sharing networks into the legal realm without
alienating their vast customer bases.
If the service launches with any degree of success, it could be the most
important development in the online content industry since the launch of iTunes
-- a game-changer. Most importantly, it will likely force other
file-sharing network providers to make the stark choice of adopting filtering
technology or going (as with Kazaa) deeply underground. Proof that
fingerprint filtering works on top of a P2P file-sharing network -- which has
been hotly debated -- would make more likely media industry litigation
against other P2P software providers on the basis of vicarious copyright
infringement: assertions that these networks have the ability to adopt a control
mechanism but are choosing not to for financial gain.
The mere existence of this service would likely
also give the Distributed Computing Industry Association (DCIA) -- the trade
association representing various different companies in the P2P orbit -- a lot
of help in boosting its P2P Revenue Engine (P2PRE), an agglomeration of
technologies that purportedly bring respect for copyright and content owner
remuneration to P2P. DCIA has been struggling to get a major-label trial
for P2PRE going. Another immediate beneficiary would be UK-based Wippit,
which has been offering a file-sharing network based on Gracenote's fingerprint
filtering solution for some time but has thus far been forced to use
encryption-based DRM for the meager amount of major-label content that it
offers.
On the other end of the technology vendor scene,
there are many small players that have been nipping around the edges of the
notion of "copyright respecting P2P" over the last several months. The
launch of a service that uses fingerprint filtering -- instead of DRM (like
WeedShare), watermarking (like Bitmunk), or no protection at all -- would cause
that technology architecture to leap ahead of the pack as a means of
legitimizing P2P... at least for the time being. The success of a service
that partners a major music company with a name-brand P2P network and a
notorious figure like Shawn Fanning would immediately trump the streams of
innovation and ideology that have come before.
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